Welcome back to our television serial making guidelines. If you'll need a recap we had already seen the fixed kinds of necessities like storyline, characters or sets. Now let's proceed to moving ones.
The Story and Dialogue Writers: Having just one writer is a risky proposition. You must ideally have a board of writers, if one fails to blow out of his/her mind the others deliver. The constant storyline needs a similarly endless method of getting dialogues to keep on the show episode by episode. In a particular scene you will have to create the utmost possible dialogues and with this the board of writers would come as a bonus. When they quarrel over it, that is only natural, maybe you get a fresh twist-wish idea to put in new angles-triangles or you will want to a hyperbola in the story that could again generate new streams of dialogues. You will have to keep a wristwatch on viewers too; boring them now and then is okay, but you need to never drive them mad. The channel producers, remember?
The Director: Since you will be the director you must be the toughest nut to break. Okay it is your infant and naturally you want to be the best choice and friend-philosopher-guide. But in actual practice you need to be a ruthless dictator taking decisions unilaterally and respecting no body however the channel producers. If your particular character actor is creating problems s/he must get killed in the serial; on the demand of the producers a dead character may need to be brought alive; many others may need to be replaced; ushering in an occasion transition or injecting one and more absurd characters into the serial; and, so on. All these situations demand your decisions only. Kundali Bhagya Today Episode We advise you to keep a couple of episode directors too as may be the case in several soaps. We have good reasons. First, one director is directly identifiable and is a sitting duck for irate viewers, if any. Second, the endless monotony may be an excessive amount of for you and you might lose your sanity. Third, are you aware that channel producers the buck will always stop exclusively at your end only.
The Time Pass: Now pass is from the viewpoint of serial makers, not viewers. Making an endless serial is never easy. So you need to continue creating rooms for frequent time pass tactics. You get it done by having merry go rounds of dramatic reaction shots parading all your characters in the hall that could get you over more than one episodes; by having dialogues that never cease; by giving extreme shock treatment to more than one characters who lose their power to speak and communicate only through loud music that could last up to more than one episodes; by bringing in absurd characters and making their stories count; and, by the like.
Conclusion (?): Since all these guidelines are enforced relentlessly some normal doctrines like good wins over evil get neutralized. Evildoers in serials continue doing evil that could include even murder as police force authorities are never called in, because entry of police may veer the serial to a logical end. You merely compensate by creating temporary relief measures now and then. Thus, the antagonist becomes the key to the success of constant serials. At the receiving end we are able to only try become accustomed to it.
So, make your serial in India and have constant fun!
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